PARIZAAD KOLAH STEALS SHOW AS COMPERE

I feel honored and proud to have been a part of Rajiv Gandhi Film Awards as this event was held in the memory of Late Rajiv Gandhi. Sharing the stage with a veteran like Anupam Kher was wonderful! It was a privileging experience for me.” quipped Parizaad Kolah who compered the evening with Anupam Kher. From ramp walking to music videos to films to anchoring shows, Parizaad has done it all with her sparkling style and persona. Today, she is the reigning queen of the anchoring world. Born and brought up in Bombay, Parsi Colony, she did her education from St. Anne’s High school and HR College, Bombay. A girl of many talents, Parizaad does not confine herself to a particular medium. She has dabbled into all, theatres, movies, television and fashion. Having started her career at quite an early stage, she has been a part of many intercollegiate fashion shows and done ramp walking for prominent designers like Anita Dongre, Gayatri Khanna, Hazoori Lal (Delhi). Parizaad has also done a Theatre workshop with Nadira Babbar. She has also been a part of the movie Main Prem Ki Diwaani Hoon. She is also a part of The Great Indian Laughter Challenge which gave her a platform to showcase her personality. In addition to this, she is also anchoring Filmy Fever on Zoom. Parizad sketches and paints when she is not working, exploring yet another artistic talent. She also has a passion for cars.

MUCH ADO ABOUT RAWSTOCK
The entire unit of the film Rafoo Chakkar—Fun on the run’ went through a real scare during its song shooting for title track. After the first day’s shoot with actor Aslam Khan and Yudhishtir along with new face Priyanka, the stock was sent to the lab. “But when we reached the sets for the second day’s shoot, nobody knew where all the stock was. When we called up the lab, they had not received it either. There was total panic on the sets. We did not tell Tarun for quite some time. Eventually when he was told , he threw a fit. He just refused to shoot until all the material for the previous day’s shoot was tracked,” says Aslam Khan. Naturally, the shoot was delayed. Worst sufferers were the extras of this dance sequence, who had to wait for the shoot with their bodies painted in different colour to go along the theme of the song. Eventually stock was tracked to the production office. Comments the director BH Tarunkumar, “Some unit hand had just felt lazy. Instead of delivering the stock to the lab in the night itself, he decided to deliver it in the morning. However, he never informed anybody and hence panic was created.
We wasted so much of time waiting for something that was never lost.”

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